Arab Cinderella: A Life Poem

Arab Cinderella: A Life Poem

    Tuesday, July 30, 2013   No comments

By Laila Alawa*

I always felt

as though my life, my being, my very self

were forevermore saddled with the

very expectations of

generations before me,

dusty individuals, their fervent whispers carrying,

moving, traveling,

across centuries of near-still air,

air rippled only with the occasional revolution,

scented softly with rosewater and hot Arabic coffee,

that their unfulfilled wishes, needs and every desire,

were now mine,

like a sort of modern-day Cinderella wish,

upon turning sixteen years of age, a welcome to the

world of

a dissatisfied life,

one in which you try your very hardest but

never get anywhere,

where you put your very best in,

but only the worst comes out,

a tired life.

It was one bestowed upon me,

an one I tried to shake off,

a cloak of heavy, dull satin,

pinned tight about my neck,

stranglehold.

Countless attempts. So much of my

being put in to making that cloak

shine, making it glow,

failed efforts heavy with the

stench of misintention,

a slew of sins.

Dissatisfaction. I began to

feel uncomfortable,

tears springing to my eyes as I contemplated

the heavy, deep fastenings of the cloak, only

unfastened through true lawlessness or truthful

intention.

I stumbled about with the heavy cloak

until one day

one morning,

fresh, calm and cool, the birds alight with their trills,

I faced towards the Kaabah and

felt the true cool of the deen

surrounding me and

transforming the cloak of dull expectations into

one of shining possibilities,

open and airy and effervescent

a garb of intentions, open worlds

a refuge of Islam.

______________

You can usually find Laila engaged in a deep conversation with a stranger, or nursing a cup of Earl Grey tea with three teaspoons of sugar. She graduated from Wellesley College in 2012 and currently works at Princeton University, conducting a study on Muslim American perceptions of belonging and community within the greater American diaspora. Laila funnels her love for jewelry making into her own business and works to bettering the Muslim American experience for both Muslims and America at large. She heads a faith anthology project for Muslim American women called Coming of Faith.

Exhibition showcasing over 1000 years of Islamic art and architecture opens at the Asian Civilisations Museum

Exhibition showcasing over 1000 years of Islamic art and architecture opens at the Asian Civilisations Museum

    Tuesday, July 30, 2013   No comments

The Asian Civilisations Museum presents an exhibition of works of art from the Aga Khan Museum. Featuring masterpieces of Islamic art and architecture spanning many centuries and from regions around the world, Treasures of the Aga Khan Museum: Architecture in Islamic Arts are on display at the ACM from 19 July to 28 October 2012. Architecture, with tiled and gilt domes, shaded courtyards, and inscribed gates, became a natural expression of Islam. The exhibition reveals how Muslim artists perceived the Islamic built environment. Over 100 objects, ranging from manuscript illumination, paintings, and architectural elements to hajj certificates and tiles decorated with passages from the Qur‟an, illustrate ideas of space and decoration in both religious and secular environments. The exhibition offers insights into some of the great Islamic dynasties: the al-Andalus of the Iberian Peninsula; Ilkhanid, Timurid, and Safavid Iran; Ottoman Turkey; and Mughal India. “Islamic architecture is one of the most visible aspects of Islamic culture,” says Dr Alan Chong, director of the Asian Civilisations Museum. “This exhibition approaches architecture from several points of view. Intricately painted illuminations capture the world in miniature, and invite the viewer into splendid palaces and intimate gardens. At the same time, visitors can inspect carved wooden beams and brilliantly coloured glazed tiles that once decorated mosques and other buildings. We hope that visitors will gain new insights into the history and creativity of the Islamic world.”

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Azeri maqami musician Alim Qasimov will be joining an Iranian band to perform a concert at the 49th International Festival of Carthage in Tunis

Azeri maqami musician Alim Qasimov will be joining an Iranian band to perform a concert at the 49th International Festival of Carthage in Tunis

    Tuesday, July 30, 2013   No comments

Vocalist Mohammad Motamedi will lead the group, which also features Sina Jahanabadi on kamancheh, Azad Mirzapur on tar, Pasha Hanjani on ney, and Hossein Rezaeinia and Milad Abassi on daf.

The concert has been scheduled for August 3 at the festival, which is currently underway in Tunisia. The festival will run until August 17.

Maqams or maqamat are sets of musical scales and characteristic melodic elements, or motives, and traditional patterns for their use, forming a system for the melodic and tonal development of performances in Islamic music.

Maqami music is connected to the traditions and perspective of an ethnic group living in a particular region.

Kufic Ancient and Modern: from calligraphy to typography

Kufic Ancient and Modern: from calligraphy to typography

    Friday, July 26, 2013   No comments

The Kuficpedia project is developing through an international group of scholars and designers with a shared interest in the Kufic script. The project came together around the historical research and achievements of calligrapher and typeface designer, Seyed Mohammad Vahid Mousavi Jazayeri. Vahid’s study of Thulth and Naskh scripts began in 1982 and after nearly ten years of training he began teaching students in Tehran since 1991. Within a year, he was developing two complementary fields: historical calligraphy research in a range of media (ceramics, coins, plaster and stone, as well as manuscripts) and contemporary type design.

He took a major step forward in 1993 when he rediscovered the lost technique of cutting a qalam (pen, writing implement) for the Primary Kufic script. Surviving Primary Kufic pens have been recut several times to refresh the tip and this has left characteristic scars that may also be seen on Vahid’s pens. Noting these scars, Professor Kalhornia, graphic designer and historian of calligraphy, concludes that Vahid has indeed recovered the lost technique. But, more than this, Vahid’s continuing research into the history and development of the script has led him also to recover the authentic calligraphic technique, and this means that Primary Kufic can not only be revived knowledgeably and relevantly but can also pave the way for – or even inspire – contemporary new scripts that correspond to its stateliness and range.

Vahid’s developing professional interest in type design continued alongside his historic researches, thus putting him in a uniquely authoritative position to revive the Kufic script and guide its contemporary development. He has designed over 3,000 logotypes as well as creating unusually rich and nuanced fonts whose expressive range is comparable with Primary Kufic.

An important core of his work was published in the Kufic Encyclopedia, which not only provides superlative, fully identified, historic exemplars but also gives technical training for the script. Kufic has, of course, already inspired other scripts such as Thulth and Naskh, and initial surveys of these are found in the Script and Calligraphy set, and in Stone Inscriptions: Kufic and Thulth.

In addition to research, Vahid has also published numerous calligraphic posters, including Divine Love (a set of 12 works in two sizes), Breeze of East, Messiah of Souls and Seventh Heaven.

Kuficpedia’s members and contributors are active in a variety of disciplines (including art history, philosophy, calligraphy, graphic and typeface design) and one of our core activities is conducting workshops in different countries. Kuficpedia is a non-profit group.

Seyed Mohammad Vahid Mousavi Jazayeri

Ben Affleck was surprised by Best Director and Best Drama wins for 'Argo'

Ben Affleck was surprised by Best Director and Best Drama wins for 'Argo'

    Monday, January 14, 2013   No comments

The Golden Globes left Hollywood muddled on Sunday with Iran hostage thriller “Argo” winning best drama and director for Ben Affleck (pictured) while presumed big-winner “Lincoln” by Steven Spielberg received only one prize.

...

“Argo” won the top prize, best dramatic movie, and Ben Affleck was named best director for the film, three days after he failed to get an Oscar nomination in the same category.

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Dave Matthews On His Band's 'Unique Sort Of Love Affair'

Dave Matthews On His Band's 'Unique Sort Of Love Affair'

    Sunday, September 09, 2012   No comments

For many people, the definitive soundtrack of the mid-1990s was a band out of Virginia with unusual instrumentation and an unmistakable sound. Born and partially raised in South Africa, Dave Matthews was a bartender in the college town of Charlottesville when he founded the Dave Matthews Band in 1991. Two decades on, the group has sold 40 million records and become one of the biggest live acts in the world.

The Dave Matthews Band has a new studio album, its seventh, called Away From the World. Things have changed for the group since 1991: Matthews is a father now, and this album is the group's second since the 2008 death of founding member LeRoi Moore. Here, Matthews speaks with NPR's Guy Raz about what has kept the other members together — and performs two songs from the new album on ukulele and guitar.

Interview Highlights

On the title Away From the World

"It kind of is suggesting that all of us are sort of removed from the world, in a way, in our minds. That we're all in the same boat, even though we're sort of locked in our own heads."

On growing up in apartheid-era South Africa

"Being a white South African, I enjoyed the better things that that country gave to a small percentage of its population. But [I had] a mother that was so devoted to making sure that we knew that to be credited or discredited for something about yourself that you were born with, that you had the inability to change — whether it's the color of your skin or anything about you — was just the worst kind of crime. ... The guys who worked at my uncle's dairy, I'd sneak over there and — I was in Africa so we didn't have to worry about it — and smoke pot with them when I was a teenager, and drink with them and play music. And more than play, I'd listen to these guys play music. That felt almost like a revolutionary act, and then, at the same time, I got all the gift from it."

On the song "Gaucho" and the new album's themes of change

"I don't think that 'good can win.' I don't think everything is going to get peachy ever. But I think we have to fight for what we believe in. I also get very disheartened by the shallowness of the debates we have. Nothing is black or white, nothing's us or them. But then there are magical, beautiful things in the world. There's incredible acts of kindness and bravery, and in the most unlikely places, and it gives you hope."

On the future of the Dave Matthews Band

"I can remember saying 'I can't imagine that I'm going to be doing this when I'm 45' — and I'm 45. And so I don't know if there's a place that we need to go to. But it's also a sort of interesting challenge to try and work with the same group of people because there's a uniqueness to it — of trying to get past all the things that relationships have when we're working together. ... There's four of us that have been in the band for more than 20 years. It's interesting that our love for each other really revolves around the music we make together. We're not in the same age group, we didn't come up in the same places, but we really do have a unique sort of love affair when we're playing music together. And it gets stranger and stranger, but it's good."

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